CloverfieldFirst, give yourself a pat on the back after seeing this movie, which is not an easy physical task due to the camera style (remember The Blair Witch Project). Second, ignore the surprisingly unrelated title (unless a possible sequel proves otherwise – maybe an origin reference). Now, you can experience this one and a half hour documentary/thriller full of great filmmaking.

This style can be shaky, but shocking – a realistic look which puts audiences right in the trenches with a group of young New Yorkers. Director Matt Reeves (Felicity television series) synchronizes several action shots together while gradually giving audiences more peeks at a large uninvited guest. Reeves gives audiences some creature comfort by providing some well-timed and unique breaks in the action. The balanced direction avoids manipulation while including some slower, raw footage moments, which adds to the realism.

Most amateur filmmakers won’t be filming a non-stop action epic while they’re actually deeply involved in it. This unique perspective makes audiences often forget there’s a talented technical crew in charge of your viewing area. They seem to work very hard to get that perfect shot with the special effects placement commanding the camera and vice versa.

Screenwriter Drew Goddard (Lost and Alias television series) tells the story through the camera in his strong screenplay. The visuals match the story as well as Goddard builds relationships within the timeline of the tape. Predictably, the military gets involved, but that’s about all audiences can expect for sure. Goddard’s best dialogue scene comes short and sweet as a group talks about love while walking through a train tunnel.

Producer J.J. Abrams (Mission Impossible III and the upcoming Star Trek film) takes a page from his own career by casting relatively unknown television stars who have the potential for a great film career.

Reeves establishes the cast’s relationships well in the beginning farewell party, which soon gets disrupted by some catastrophic events. Rob, played by Michael Stahl-David (The Black Donnellys television series), has a brother Jason, played by Mike Vogel, and a best friend named Hud, played by T.J. Miller. Since it’s Rob’s party, he’s the center of the show while Hud provides most of the camera footage. Hud also provides some great comic relief including an impromptu brainstorm about how they can reach a possible survivor.

Odette Yustman (October Road and South Beach television series) also factors into Rob’s life as the beautiful Beth. Jason’s girlfriend, Lily, played by Jessica Lucas (She’s the Man) and Marlena, played by Lizzy Caplan (Mean Girls) also factor into the story.

This unknown, low-cost cast contributed well while sustaining a low budget, reportedly approximately 30 million dollars, which recouped quickly thanks to a 46 million dollar plus U.S. opening weekend. Cloverfield represents strong filmmaking and subtle storytelling amid epic circumstances. The absence of music might hurt most films, but not this one. Recommended (*** out of four stars) and rated PG-13 for violence, intense terror and disturbing images. Be sure to watch carefully, especially at the ending scene on the right.

Copyright © Michael Siebenaler

This entry was posted in 2000s Film Reviews, Film Reviews and tagged , , , , . Bookmark the permalink.

2 Responses to Cloverfield

  1. Somehow I thought it was a good idea to see this in the theater…i say that not because it was a bad film (it wasn’t) but because it completely terrified me (that one moment where you’re literally eye to eye with the monster right before he lunges freaks me out!!!) I AM curious to see what this sequel might do though.

    Liked by 1 person

  2. michasi72 says:

    Agree. Such a great experience. Thrilling without gratuitous shock. Abrams was right to keep this one as secret as possible. Media makes it too hard for hard working filmmakers these days. Thanks for the comment.


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